Reading Comprehension

Directions: Choose the correct answer for the following question on the basis of the given passage:

Irrepressible' in the second line means __________.

RC Passage 1:

Directions: Choose the correct answer for the following question on the basis of the given passage:

The wind over the ocean usually does which of the following according to the given passage? I. Leads to cool, dry air coming in proximity with the ocean surface. II. Maintains a steady rate of heat and moisture transfer between the ocean and the air. III. Results in frequent changes in the ocean surface temperature.

RC Passage 2:

Directions: Choose the correct answer for the following question on the basis of the given passage:

This passage principally intends to ________________.

RC Passage 2:

Directions: Choose the correct answer for the following question on the basis of the given passage:

In the present passage, the author’s primary concern is with ______________________________________.

Directions: Choose the correct answer for the following question on the basis of the given passage:

The Food and Drug Administration has formulated certain severe restrictions regarding the use of antibiotics, which are used to promote the health and growth of meat animals. Though the different types of medicines mixed with the fodder of the animals kills many microorganisms, it also encourages the appearance of bacterial strains, which are resistant to anti-infective drugs.

Directions: Choose the correct answer for the following question on the basis of the given passage:

The attitude the author has with reference to the development of bacterial strains that render antibiotic drugs ineffective, can best be described as __________.

Directions: Choose the correct answer for the following question on the basis of the given passage:

The Food and Drug Administration has formulated certain severe restrictions regarding the use of antibiotics, which are used to promote the health and growth of meat animals. Though the different types of medicines mixed with the fodder of the animals kills many microorganisms, it also encourages the appearance of bacterial strains, which are resistant to anti-infective drugs.

Directions: Choose the correct answer for the following question on the basis of the given passage:

As inferred from the above passage, the mutual transfer of plasmids between different bacteria can result in which of the following?

Directions: Choose the correct answer for the following question on the basis of the given passage:

The Food and Drug Administration has formulated certain severe restrictions regarding the use of antibiotics, which are used to promote the health and growth of meat animals. Though the different types of medicines mixed with the fodder of the animals kills many microorganisms, it also encourages the appearance of bacterial strains, which are resistant to anti-infective drugs.

Directions: Choose the correct answer for the following question on the basis of the given passage:

According to the given passage, in case the wind was to decrease until there was no wind at all, which of the following would occur?

RC Passage 2:

According to the above passage the author believes that those who favor the stiffening of restrictions on gene transplant research should logically also ______________________________________________________.

Directions: Choose the correct answer for the following question on the basis of the given passage:

The Food and Drug Administration has formulated certain severe restrictions regarding the use of antibiotics, which are used to promote the health and growth of meat animals. Though the different types of medicines mixed with the fodder of the animals kills many microorganisms, it also encourages the appearance of bacterial strains, which are resistant to anti-infective drugs.

Directions: Choose the correct answer for the following question on the basis of the given passage:

The author makes a reference to James Weldon Johnson's Autobiography of an Ex-colored Man most probably to _______________________________.

RC Passage 4:
Roger Rosenblatt’s book Black Fiction, manages to alter the approach taken in many previous studies by making an attempt to apply literary rather than sociopolitical criteria to its subject. Rosenblatt points out that criticism of Black writing has very often served as a pretext for an expounding on Black history. The recent work of Addison Gayle’s passes a judgement on the value of Black fiction by clearly political standards, rating each work according to the ideas of Black identity, which it propounds.
Though fiction results from political circumstances, its author react not in ideological ways to those circumstances, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise. Affinities and connections are revealed in the works of Black fiction in Rosenblatt’s literary analysis; these affinities and connections have been overlooked and ignored by solely political studies.
The writing of acceptable criticism of Black fiction, however, presumes giving satisfactory answers to a quite a few questions. The most important of all, is there a sufficient reason, apart from the racial identity of the authors, for the grouping together of Black authors? Secondly, what is the distinction of Black fiction from other modern fiction with which it is largely contemporaneous? In the work Rosenblatt demonstrates that Black fiction is a distinct body of writing, which has an identifiable, coherent literary tradition. He highlights recurring concerns and designs, which are independent of chronology in Black fiction written over the past eighty years. These concerns and designs are thematic, and they come form the central fact of the predominant white culture, where the Black characters in the novel are situated irrespective of whether they attempt to conform to that culture or they rebel against it.
Rosenblatt’s work does leave certain aesthetic questions open. His thematic analysis allows considerable objectivity; he even clearly states that he does not intend to judge the merit of the various works yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For example, certain novels have an appearance of structural diffusion. Is this a defeat, or are the authors working out of, or attempting to forge, a different kind of aesthetic? Apart from this, the style of certain Black novels, like Jean Toomer’s Cane, verges on expressionism or surrealism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expressions?

Directions: Choose the correct answer for the following question on the basis of the given passage:

The author of the passage raises an objection to criticism of Black fiction like that by Addison Gayle as it __________________________.

RC Passage 4:
Roger Rosenblatt’s book Black Fiction, manages to alter the approach taken in many previous studies by making an attempt to apply literary rather than sociopolitical criteria to its subject. Rosenblatt points out that criticism of Black writing has very often served as a pretext for an expounding on Black history. The recent work of Addison Gayle’s passes a judgement on the value of Black fiction by clearly political standards, rating each work according to the ideas of Black identity, which it propounds.
Though fiction results from political circumstances, its author react not in ideological ways to those circumstances, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise. Affinities and connections are revealed in the works of Black fiction in Rosenblatt’s literary analysis; these affinities and connections have been overlooked and ignored by solely political studies.
The writing of acceptable criticism of Black fiction, however, presumes giving satisfactory answers to a quite a few questions. The most important of all, is there a sufficient reason, apart from the racial identity of the authors, for the grouping together of Black authors? Secondly, what is the distinction of Black fiction from other modern fiction with which it is largely contemporaneous? In the work Rosenblatt demonstrates that Black fiction is a distinct body of writing, which has an identifiable, coherent literary tradition. He highlights recurring concerns and designs, which are independent of chronology in Black fiction written over the past eighty years. These concerns and designs are thematic, and they come form the central fact of the predominant white culture, where the Black characters in the novel are situated irrespective of whether they attempt to conform to that culture or they rebel against it.
Rosenblatt’s work does leave certain aesthetic questions open. His thematic analysis allows considerable objectivity; he even clearly states that he does not intend to judge the merit of the various works yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For example, certain novels have an appearance of structural diffusion. Is this a defeat, or are the authors working out of, or attempting to forge, a different kind of aesthetic? Apart from this, the style of certain Black novels, like Jean Toomer’s Cane, verges on expressionism or surrealism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expressions?

Directions: Choose the correct answer for the following question on the basis of the given passage:

The author is of the opinion that Black Fiction would have been improved had Rosenblatt ________________________________________________.

RC Passage 4:
Roger Rosenblatt’s book Black Fiction, manages to alter the approach taken in many previous studies by making an attempt to apply literary rather than sociopolitical criteria to its subject. Rosenblatt points out that criticism of Black writing has very often served as a pretext for an expounding on Black history. The recent work of Addison Gayle’s passes a judgement on the value of Black fiction by clearly political standards, rating each work according to the ideas of Black identity, which it propounds.
Though fiction results from political circumstances, its author react not in ideological ways to those circumstances, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise. Affinities and connections are revealed in the works of Black fiction in Rosenblatt’s literary analysis; these affinities and connections have been overlooked and ignored by solely political studies.
The writing of acceptable criticism of Black fiction, however, presumes giving satisfactory answers to a quite a few questions. The most important of all, is there a sufficient reason, apart from the racial identity of the authors, for the grouping together of Black authors? Secondly, what is the distinction of Black fiction from other modern fiction with which it is largely contemporaneous? In the work Rosenblatt demonstrates that Black fiction is a distinct body of writing, which has an identifiable, coherent literary tradition. He highlights recurring concerns and designs, which are independent of chronology in Black fiction written over the past eighty years. These concerns and designs are thematic, and they come form the central fact of the predominant white culture, where the Black characters in the novel are situated irrespective of whether they attempt to conform to that culture or they rebel against it.
Rosenblatt’s work does leave certain aesthetic questions open. His thematic analysis allows considerable objectivity; he even clearly states that he does not intend to judge the merit of the various works yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For example, certain novels have an appearance of structural diffusion. Is this a defeat, or are the authors working out of, or attempting to forge, a different kind of aesthetic? Apart from this, the style of certain Black novels, like Jean Toomer’s Cane, verges on expressionism or surrealism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expressions?

Directions: Choose the correct answer for the following question on the basis of the given passage:

According to the given passage the author would be LEAST likely to approve of which among the following?

RC Passage 4:
Roger Rosenblatt’s book Black Fiction, manages to alter the approach taken in many previous studies by making an attempt to apply literary rather than sociopolitical criteria to its subject. Rosenblatt points out that criticism of Black writing has very often served as a pretext for an expounding on Black history. The recent work of Addison Gayle’s passes a judgement on the value of Black fiction by clearly political standards, rating each work according to the ideas of Black identity, which it propounds.
Though fiction results from political circumstances, its author react not in ideological ways to those circumstances, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise. Affinities and connections are revealed in the works of Black fiction in Rosenblatt’s literary analysis; these affinities and connections have been overlooked and ignored by solely political studies.
The writing of acceptable criticism of Black fiction, however, presumes giving satisfactory answers to a quite a few questions. The most important of all, is there a sufficient reason, apart from the racial identity of the authors, for the grouping together of Black authors? Secondly, what is the distinction of Black fiction from other modern fiction with which it is largely contemporaneous? In the work Rosenblatt demonstrates that Black fiction is a distinct body of writing, which has an identifiable, coherent literary tradition. He highlights recurring concerns and designs, which are independent of chronology in Black fiction written over the past eighty years. These concerns and designs are thematic, and they come form the central fact of the predominant white culture, where the Black characters in the novel are situated irrespective of whether they attempt to conform to that culture or they rebel against it.
Rosenblatt’s work does leave certain aesthetic questions open. His thematic analysis allows considerable objectivity; he even clearly states that he does not intend to judge the merit of the various works yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For example, certain novels have an appearance of structural diffusion. Is this a defeat, or are the authors working out of, or attempting to forge, a different kind of aesthetic? Apart from this, the style of certain Black novels, like Jean Toomer’s Cane, verges on expressionism or surrealism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expressions?

Directions: Choose the correct answer for the following question on the basis of the given passage:

Rosenblatt's discussion of Black Fiction is __________________________.

RC Passage 4:
Roger Rosenblatt’s book Black Fiction, manages to alter the approach taken in many previous studies by making an attempt to apply literary rather than sociopolitical criteria to its subject. Rosenblatt points out that criticism of Black writing has very often served as a pretext for an expounding on Black history. The recent work of Addison Gayle’s passes a judgement on the value of Black fiction by clearly political standards, rating each work according to the ideas of Black identity, which it propounds.
Though fiction results from political circumstances, its author react not in ideological ways to those circumstances, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise. Affinities and connections are revealed in the works of Black fiction in Rosenblatt’s literary analysis; these affinities and connections have been overlooked and ignored by solely political studies.
The writing of acceptable criticism of Black fiction, however, presumes giving satisfactory answers to a quite a few questions. The most important of all, is there a sufficient reason, apart from the racial identity of the authors, for the grouping together of Black authors? Secondly, what is the distinction of Black fiction from other modern fiction with which it is largely contemporaneous? In the work Rosenblatt demonstrates that Black fiction is a distinct body of writing, which has an identifiable, coherent literary tradition. He highlights recurring concerns and designs, which are independent of chronology in Black fiction written over the past eighty years. These concerns and designs are thematic, and they come form the central fact of the predominant white culture, where the Black characters in the novel are situated irrespective of whether they attempt to conform to that culture or they rebel against it.
Rosenblatt’s work does leave certain aesthetic questions open. His thematic analysis allows considerable objectivity; he even clearly states that he does not intend to judge the merit of the various works yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For example, certain novels have an appearance of structural diffusion. Is this a defeat, or are the authors working out of, or attempting to forge, a different kind of aesthetic? Apart from this, the style of certain Black novels, like Jean Toomer’s Cane, verges on expressionism or surrealism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expressions?

Directions: Choose the correct answer for the following question on the basis of the given passage:

From the following options, which does the author not make use of while discussing Black Fiction?

RC Passage 4:
Roger Rosenblatt’s book Black Fiction, manages to alter the approach taken in many previous studies by making an attempt to apply literary rather than sociopolitical criteria to its subject. Rosenblatt points out that criticism of Black writing has very often served as a pretext for an expounding on Black history. The recent work of Addison Gayle’s passes a judgement on the value of Black fiction by clearly political standards, rating each work according to the ideas of Black identity, which it propounds.
Though fiction results from political circumstances, its author react not in ideological ways to those circumstances, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise. Affinities and connections are revealed in the works of Black fiction in Rosenblatt’s literary analysis; these affinities and connections have been overlooked and ignored by solely political studies.
The writing of acceptable criticism of Black fiction, however, presumes giving satisfactory answers to a quite a few questions. The most important of all, is there a sufficient reason, apart from the racial identity of the authors, for the grouping together of Black authors? Secondly, what is the distinction of Black fiction from other modern fiction with which it is largely contemporaneous? In the work Rosenblatt demonstrates that Black fiction is a distinct body of writing, which has an identifiable, coherent literary tradition. He highlights recurring concerns and designs, which are independent of chronology in Black fiction written over the past eighty years. These concerns and designs are thematic, and they come form the central fact of the predominant white culture, where the Black characters in the novel are situated irrespective of whether they attempt to conform to that culture or they rebel against it.
Rosenblatt’s work does leave certain aesthetic questions open. His thematic analysis allows considerable objectivity; he even clearly states that he does not intend to judge the merit of the various works yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For example, certain novels have an appearance of structural diffusion. Is this a defeat, or are the authors working out of, or attempting to forge, a different kind of aesthetic? Apart from this, the style of certain Black novels, like Jean Toomer’s Cane, verges on expressionism or surrealism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expressions?

Directions: Choose the correct answer for the following question on the basis of the given passage:

It can be inferred that in his discussion of maladaptive frailties the author assumes that _________________.

RC Passage 5: