Para Jumbles

Which of the following should be the FOURTH sentence after the rearrangement?

Directions: Rearrange the following sentences in the proper sequence to form a coherent paragraph and then answer the question that follows.
  
(1) There is in nature a universal tendency toward refinement and compactness of form in space, or contrariwise, toward increment and diffusion; and this manifests itself in time as acceleration or retardation.
(2) More and more science is coming to recognize, what theosophy affirms, that the spiral vortex, which so beautifully illustrates this law, both in its time and its space aspects is the universal archetype, the pattern of all that is, has been, or will be, since it is the form assumed by the ultimate physical atom.
(3) It is governed, in either case, by an exact mathematical law, like the law of falling bodies.
(4) And the ultimate physical atom is the physical cosmos in miniature.
(5) It shows itself in the widening circles which appear when one drops a stone into still water, in the convolutions of shells, in the branching of trees and the veining of leaves; the diminution in the size of the pipes of an organ illustrates it, and the spacing of the frets of a guitar.

Which of the following should be the FIFTH sentence after the rearrangement?

Directions: Rearrange the following sentences in the proper sequence to form a coherent paragraph and then answer the question that follows.
  
(1) There is in nature a universal tendency toward refinement and compactness of form in space, or contrariwise, toward increment and diffusion; and this manifests itself in time as acceleration or retardation.
(2) More and more science is coming to recognize, what theosophy affirms, that the spiral vortex, which so beautifully illustrates this law, both in its time and its space aspects is the universal archetype, the pattern of all that is, has been, or will be, since it is the form assumed by the ultimate physical atom.
(3) It is governed, in either case, by an exact mathematical law, like the law of falling bodies.
(4) And the ultimate physical atom is the physical cosmos in miniature.
(5) It shows itself in the widening circles which appear when one drops a stone into still water, in the convolutions of shells, in the branching of trees and the veining of leaves; the diminution in the size of the pipes of an organ illustrates it, and the spacing of the frets of a guitar.

Which of the following should be the FIRST sentence after the rearrangement?

Directions: Rearrange the following sentences in the proper sequence to form a coherent paragraph and then answer the question that follows.
  
(1) There is in nature a universal tendency toward refinement and compactness of form in space, or contrariwise, toward increment and diffusion; and this manifests itself in time as acceleration or retardation.
(2) More and more science is coming to recognize, what theosophy affirms, that the spiral vortex, which so beautifully illustrates this law, both in its time and its space aspects is the universal archetype, the pattern of all that is, has been, or will be, since it is the form assumed by the ultimate physical atom.
(3) It is governed, in either case, by an exact mathematical law, like the law of falling bodies.
(4) And the ultimate physical atom is the physical cosmos in miniature.
(5) It shows itself in the widening circles which appear when one drops a stone into still water, in the convolutions of shells, in the branching of trees and the veining of leaves; the diminution in the size of the pipes of an organ illustrates it, and the spacing of the frets of a guitar.

Which of the following should be the FOURTH sentence after the rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph and then answer the question given below:

(1) The characteristic differences between music and architecture are the same as those which subsist between time and space.
(2) It sustains the same relation to music and the other arts as does the human body to the various organs which compose and consciousnesses which animate it.
(3) The energy which everywhere animates form is a type of time within space; the mind working in and through the body is another expression of the same thing.
(4) Correspondingly, music is dynamic, subjective, mental, of one dimension; while architecture is static, objective, physical, of three dimensions.
(5) Now, time and space are such abstract ideas that they can be dealt best through their corresponding correlatives in the natural world, for it is a fundamental theosophical tenet that nature everywhere abounds in such correspondences; that nature, in its myriad forms, is indeed the concrete presentment of abstract unities.

Which of the following should be the SECOND sentence after the rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph and then answer the question given below:

(1) The characteristic differences between music and architecture are the same as those which subsist between time and space.
(2) It sustains the same relation to music and the other arts as does the human body to the various organs which compose and consciousnesses which animate it.
(3) The energy which everywhere animates form is a type of time within space; the mind working in and through the body is another expression of the same thing.
(4) Correspondingly, music is dynamic, subjective, mental, of one dimension; while architecture is static, objective, physical, of three dimensions.
(5) Now, time and space are such abstract ideas that they can be dealt best through their corresponding correlatives in the natural world, for it is a fundamental theosophical tenet that nature everywhere abounds in such correspondences; that nature, in its myriad forms, is indeed the concrete presentment of abstract unities.

Which of the following should be the FIRST sentence after the rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph and then answer the question given below:

(1) The characteristic differences between music and architecture are the same as those which subsist between time and space.
(2) It sustains the same relation to music and the other arts as does the human body to the various organs which compose and consciousnesses which animate it.
(3) The energy which everywhere animates form is a type of time within space; the mind working in and through the body is another expression of the same thing.
(4) Correspondingly, music is dynamic, subjective, mental, of one dimension; while architecture is static, objective, physical, of three dimensions.
(5) Now, time and space are such abstract ideas that they can be dealt best through their corresponding correlatives in the natural world, for it is a fundamental theosophical tenet that nature everywhere abounds in such correspondences; that nature, in its myriad forms, is indeed the concrete presentment of abstract unities.

Which of the following should be the THIRD sentence after the rearrangement?

Directions: Rearrange the following sentences in the proper sequence to form a coherent paragraph and then answer the question that follows.
  
(1) There is in nature a universal tendency toward refinement and compactness of form in space, or contrariwise, toward increment and diffusion; and this manifests itself in time as acceleration or retardation.
(2) More and more science is coming to recognize, what theosophy affirms, that the spiral vortex, which so beautifully illustrates this law, both in its time and its space aspects is the universal archetype, the pattern of all that is, has been, or will be, since it is the form assumed by the ultimate physical atom.
(3) It is governed, in either case, by an exact mathematical law, like the law of falling bodies.
(4) And the ultimate physical atom is the physical cosmos in miniature.
(5) It shows itself in the widening circles which appear when one drops a stone into still water, in the convolutions of shells, in the branching of trees and the veining of leaves; the diminution in the size of the pipes of an organ illustrates it, and the spacing of the frets of a guitar.

Which of the following should be the FIFTH sentence after the rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph and then answer the question given below:

(1) The characteristic differences between music and architecture are the same as those which subsist between time and space.
(2) It sustains the same relation to music and the other arts as does the human body to the various organs which compose and consciousnesses which animate it.
(3) The energy which everywhere animates form is a type of time within space; the mind working in and through the body is another expression of the same thing.
(4) Correspondingly, music is dynamic, subjective, mental, of one dimension; while architecture is static, objective, physical, of three dimensions.
(5) Now, time and space are such abstract ideas that they can be dealt best through their corresponding correlatives in the natural world, for it is a fundamental theosophical tenet that nature everywhere abounds in such correspondences; that nature, in its myriad forms, is indeed the concrete presentment of abstract unities.

Which of the following should be the FIRST sentence after rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph, and then answer the question given below. 

(1)     Again, the higher languages are written and are thus, immediately accessible.
(2)     For such reasons, chief attention has been given to the most highly developed languages.
(3)     As the progress of research is necessarily from the known to the unknown, civilized languages were studied by scholars before the languages of savage and barbaric tribes.
(4)     However, the problems presented to the philologist, in the higher languages, cannot be properly solved without a knowledge of the lower forms.
(5)     In philology, North America presents the richest field in the world, for here is found the greatest number of languages distributed among the greatest number of stocks.

Which of the following should be the first sentence after rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph and then, answer the question given below.
 
(1) If no evil had existed in this world, man would never have dreamt of those numerous divinities, to whom he has rendered such various modes of worship.
(2) The man, always contented, would only have occupied himself with satisfying his wants, with enjoying the present, with feeling the influence of objects, that would unceasingly warn him of his existence in a mode that he must necessarily approve, nothing would alarm his heart, every thing would be analogous to his existence.
(3) These feelings can only be the consequence of some troublesome sensation, which must have previously affected him or which by disturbing the harmony of his machine, has interrupted the course of his happiness, which has shown him he is naked.
(4) He would neither know fear, experience distrust nor have inquietude for the future.
(5) If nature had permitted him easily to satisfy all his regenerating wants, if she had given him none but agreeable sensations, his days would have uninterruptedly rolled on in perpetual uniformity, he would never have discovered his own nakedness.

Which of the following should be the third sentence after rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph and then, answer the question given below.
 
(1) If no evil had existed in this world, man would never have dreamt of those numerous divinities, to whom he has rendered such various modes of worship.
(2) The man, always contented, would only have occupied himself with satisfying his wants, with enjoying the present, with feeling the influence of objects, that would unceasingly warn him of his existence in a mode that he must necessarily approve, nothing would alarm his heart, every thing would be analogous to his existence.
(3) These feelings can only be the consequence of some troublesome sensation, which must have previously affected him or which by disturbing the harmony of his machine, has interrupted the course of his happiness, which has shown him he is naked.
(4) He would neither know fear, experience distrust nor have inquietude for the future.
(5) If nature had permitted him easily to satisfy all his regenerating wants, if she had given him none but agreeable sensations, his days would have uninterruptedly rolled on in perpetual uniformity, he would never have discovered his own nakedness.

Which of the following should be the fifth sentence after rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph and then, answer the question given below.
 
(1) If no evil had existed in this world, man would never have dreamt of those numerous divinities, to whom he has rendered such various modes of worship.
(2) The man, always contented, would only have occupied himself with satisfying his wants, with enjoying the present, with feeling the influence of objects, that would unceasingly warn him of his existence in a mode that he must necessarily approve, nothing would alarm his heart, every thing would be analogous to his existence.
(3) These feelings can only be the consequence of some troublesome sensation, which must have previously affected him or which by disturbing the harmony of his machine, has interrupted the course of his happiness, which has shown him he is naked.
(4) He would neither know fear, experience distrust nor have inquietude for the future.
(5) If nature had permitted him easily to satisfy all his regenerating wants, if she had given him none but agreeable sensations, his days would have uninterruptedly rolled on in perpetual uniformity, he would never have discovered his own nakedness.

Which of the following should be the second sentence after rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph and then, answer the question given below.
 
(1) If no evil had existed in this world, man would never have dreamt of those numerous divinities, to whom he has rendered such various modes of worship.
(2) The man, always contented, would only have occupied himself with satisfying his wants, with enjoying the present, with feeling the influence of objects, that would unceasingly warn him of his existence in a mode that he must necessarily approve, nothing would alarm his heart, every thing would be analogous to his existence.
(3) These feelings can only be the consequence of some troublesome sensation, which must have previously affected him or which by disturbing the harmony of his machine, has interrupted the course of his happiness, which has shown him he is naked.
(4) He would neither know fear, experience distrust nor have inquietude for the future.
(5) If nature had permitted him easily to satisfy all his regenerating wants, if she had given him none but agreeable sensations, his days would have uninterruptedly rolled on in perpetual uniformity, he would never have discovered his own nakedness.

Which of the following should be the fourth sentence after rearrangement?

Directions: Rearrange the following five sentences in the proper sequence to form a coherent paragraph and then, answer the question given below.
 
(1) If no evil had existed in this world, man would never have dreamt of those numerous divinities, to whom he has rendered such various modes of worship.
(2) The man, always contented, would only have occupied himself with satisfying his wants, with enjoying the present, with feeling the influence of objects, that would unceasingly warn him of his existence in a mode that he must necessarily approve, nothing would alarm his heart, every thing would be analogous to his existence.
(3) These feelings can only be the consequence of some troublesome sensation, which must have previously affected him or which by disturbing the harmony of his machine, has interrupted the course of his happiness, which has shown him he is naked.
(4) He would neither know fear, experience distrust nor have inquietude for the future.
(5) If nature had permitted him easily to satisfy all his regenerating wants, if she had given him none but agreeable sensations, his days would have uninterruptedly rolled on in perpetual uniformity, he would never have discovered his own nakedness.