Musical Instruments

China's musical instruments are otherwise known worldwide to be

Directions: Read the following passage carefully to answer the given question. Some words/phrases are printed in bold to help you locate them while answer the question.

Three years ago, a little-known craftsman from the dusty backstreets of southern China's Guangzhou city caught the world of classical musicians off guard. Zhu Ming-Jiang was awarded a gold medal from the prestigious Violin Society of America - its highest accolade - for an instrument handcrafted in the tradition of Italian masters of the 17th century, the great age of violinmakers. Seasoned music critics were aghast. China was one of the world’s biggest exporters of violins, but its instruments were notorious for their inferiority and sold by the truckload primarily because they were cheap. That general picture won't change overnight, since Zhu makes just 10 violins a year, but at least China can now lay claim to producing a contemporary equivalent to the famed Stradivarius.

Zhu's life has been full of surprising turns. The second son of two accountants, Zhu was forced as a teenager to abandon his education and like tens of thousands of other intellectual young Chinese during the 1960s and 70s, was sent to the countryside to be "re-educated" by peasants. "I wanted to be a carpenter, even a painter", says Zhu. "But I was labouring in fields of sugarcane and looking for a way out”. Zhu seized his chance to escape the rural backwaters of Panyu County just south of Guangzhou two years later in 1976 when China set up the Guangzhou Musical Instruments School. He was one of the 25 students chosen nationwide because he had shown promise as a sculptor of wood, an essential skill in the delicate crafting of musical instruments.

Zhu rapidly improved his skills and by 1986 he had graduated from the school and was working for the Guangzhou Musical Instruments Research Institute. Zhu's craft gained international recognition because senior Communist Party cadres often entered his violins in international competitions. They also flitted abroad to collect the prizes giving him little opportunity to enjoy the acclaim. By that time Zhu was secretly making violins at home because he wanted to use his own name in competitions and he felt that many of the violins produced by the institute were of poor quality.

Zhu struck out on his own in 1991, setting up a tiny workshop in his suburban apartment. In addition to the Violin Society of America’s gold medal, Zhu has collected nine other international awards and musicians in the United States, Europe and Asia now keenly seek his instruments. Zhu won't reveal the secrets of his craft which hehas been practicing for 21 years. While he sold his first violin for sixty dollars, he won't reveal his prices. Like the secrets of his craft, these  too are secret to all but serious potential buyers. "Price?", Zhu asks. “What price the sound of a violin, that makes you feel that you have just tasted sweet spring water after a long journey over the mountains?" For a country boy who reluctantly gave up carpentry to court the respect of composers and musicians, the rewards of that journey have been sweet indeed.

The distinguishing feature of Zhu's instruments is that they are

Directions: Read the following passage carefully to answer the given question. Some words/phrases are printed in bold to help you locate them while answer the question.

Three years ago, a little-known craftsman from the dusty backstreets of southern China's Guangzhou city caught the world of classical musicians off guard. Zhu Ming-Jiang was awarded a gold medal from the prestigious Violin Society of America - its highest accolade - for an instrument handcrafted in the tradition of Italian masters of the 17th century, the great age of violinmakers. Seasoned music critics were aghast. China was one of the world’s biggest exporters of violins, but its instruments were notorious for their inferiority and sold by the truckload primarily because they were cheap. That general picture won't change overnight, since Zhu makes just 10 violins a year, but at least China can now lay claim to producing a contemporary equivalent to the famed Stradivarius.

Zhu's life has been full of surprising turns. The second son of two accountants, Zhu was forced as a teenager to abandon his education and like tens of thousands of other intellectual young Chinese during the 1960s and 70s, was sent to the countryside to be "re-educated" by peasants. "I wanted to be a carpenter, even a painter", says Zhu. "But I was labouring in fields of sugarcane and looking for a way out”. Zhu seized his chance to escape the rural backwaters of Panyu County just south of Guangzhou two years later in 1976 when China set up the Guangzhou Musical Instruments School. He was one of the 25 students chosen nationwide because he had shown promise as a sculptor of wood, an essential skill in the delicate crafting of musical instruments.

Zhu rapidly improved his skills and by 1986 he had graduated from the school and was working for the Guangzhou Musical Instruments Research Institute. Zhu's craft gained international recognition because senior Communist Party cadres often entered his violins in international competitions. They also flitted abroad to collect the prizes giving him little opportunity to enjoy the acclaim. By that time Zhu was secretly making violins at home because he wanted to use his own name in competitions and he felt that many of the violins produced by the institute were of poor quality.

Zhu struck out on his own in 1991, setting up a tiny workshop in his suburban apartment. In addition to the Violin Society of America’s gold medal, Zhu has collected nine other international awards and musicians in the United States, Europe and Asia now keenly seek his instruments. Zhu won't reveal the secrets of his craft which hehas been practicing for 21 years. While he sold his first violin for sixty dollars, he won't reveal his prices. Like the secrets of his craft, these  too are secret to all but serious potential buyers. "Price?", Zhu asks. “What price the sound of a violin, that makes you feel that you have just tasted sweet spring water after a long journey over the mountains?" For a country boy who reluctantly gave up carpentry to court the respect of composers and musicians, the rewards of that journey have been sweet indeed.

Out of a total of 120 musicians in a club, 5% can play all the three instruments – guitar, violin and flute. It so happens that the number of musicians who can play any two and only two of the above instruments is 30. The number of musicians who can play the guitar alone is 40. What is the total number of musicians who can play violin alone or flute alone?