General Awareness · History

Art History and Movements

7,357 Questions

Art History and Movements explores various artistic styles, famous paintings, and global artists. The questions cover modern art, expressionism, and large-scale installations. Building familiarity with these topics enhances general knowledge for competitive exams.

Famous global artistsExpressionism and modern artArt installation conceptsHistorical art movementsProgressive Artists Group

Art History and Movements Questions

Multiple choice
  1. Rembrandt

  2. Ravi Varma

  3. Vincent Van Gogh

  4. Ali

Reveal answer Fill a bubble to check yourself
C Correct answer
Explanation

Vincent van Gogh painted his famous Sunflowers series in Arles, France, between 1888-1889. These still-life paintings are among his most recognizable works, known for their vibrant yellow hues and expressive brushwork. Ravi Varma was an Indian painter, Rembrandt was a Dutch Baroque artist, and Ali is not a known painter associated with this masterpiece.

Multiple choice

How was the portrait?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. perfect

  2. wonderful

  3. beautiful

  4. awesome

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

clearly mentioned in the passage

Multiple choice

What did the artist order?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. a temporary screen built around the statue

  2. permanent

  3. short

  4. momentary

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

clearly mentioned in the passage

Multiple choice

How did the artist work?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. worked early and late

  2. in the morning

  3. in the evening

  4. in the afternoon

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

refer to the  first few lines of the passage

Multiple choice

What was the artist hammering?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. was hammering at the reputation of the courtiers

  2. the statue

  3. the metal

  4. re fashioning

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

refer to the last paragraph

Multiple choice

How many days did the artist request for correcting the statue?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. a few days more

  2. little

  3. many

  4. some more

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

refer to the middle of the passage

Multiple choice

How many courtiers commented about the statue?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. 6

  2. 4

  3. 3

  4. 2

Reveal answer Fill a bubble to check yourself
B Correct answer
Explanation

clearly mentioned in the passage

Multiple choice

How many flaws did the artist mention?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. many flaws

  2. numerous

  3. plentiful

  4. a few

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

many flaws refers to the second paragraph

Multiple choice

What was the artist's name?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. Herr Grupello

  2. John

  3. Peter

  4. David

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

refer to first paragraph

Multiple choice

Where did the artist keep the statue?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. in the public square of Dusseldorf

  2. in the palace

  3. in the castle

  4. in the courtyard

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

clearly mentioned in the passage

Multiple choice

What did the artist say?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. I have changed nothing

  2. there is no difference

  3. replace something

  4. there is some change

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

refer to the last paragraph

Multiple choice

What metal was used to make the statue?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. bronze

  2. glass

  3. iron

  4. brass

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

refer the beginning of the passage

Multiple choice

How did the Elector behave with the artist?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. the friendly hand-grasp

  2. warm hug

  3. catch

  4. clasp

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

refer to first few lines

Multiple choice

What did the elector order with the artist?

Directions: Read the passage and answer the following question

I wonder if you have ever heard the anecdote about the artist of Düsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of Düsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
   At last the work was done, and the artist had the great statue set up in the public square of Düsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful, -- so beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. ``Herr Grupello,'' he said, ``you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!''
   When the courtiers heard this, and saw the friendly hand-grasp, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, ``Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion.''
   ``No,'' said another, ``the horse is really not so successful; the turn of the neck, there, is awkward.''
   ``If you would change the right hind-foot, Herr Grupello,'' said a third, ``it would be an improvement.''
   Still another found fault with the horse's tail.
   The artist listened, quietly. When they had all finished, he turned to the prince and said, ``Your courtiers, Prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?''
   The Elector assented, and the artist ordered a temporary screen built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, ``I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!''
   Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
   ``Perfect!'' said the first. ``Now that the horse's head is in proportion, there is not a flaw.''
   ``The change in the neck was just what was needed,'' said the second; ``it is very graceful now.''
   ``The rear right foot is as it should be, now,'' said a third, ``and it adds so much to the beauty of the whole!''
   The fourth said that he considered the tail greatly improved.
   ``My courtiers are much pleased now,'' said the prince to Herr Grupello; ``they think the statue much improved by the changes you have made.''
   Herr Grupello smiled a little. ``I am glad they are pleased,'' he said, ``but the fact is, I have changed nothing!''
   ``What do you mean?'' said the prince in surprise. ``Have we not heard the sound of hammering every day? What were you hammering at then?''
   ``I was hammering at the reputation of your courtiers, who found fault simply because they were jealous,'' said the artist. ``And I rather think that their reputation is pretty well hammered to pieces!''
   It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.

  1. the Elector ordered a portrait statue of himself, on horseback, to be done in bronze

  2. a painting

  3. a statue

  4. a bust

Reveal answer Fill a bubble to check yourself
A Correct answer
Explanation

refers to the first paragraph

Multiple choice
  1. Jean Dubuffet

  2. Joseph Kiselewski

  3. Fritz Koenig

  4. Alberto Giacometti

Reveal answer Fill a bubble to check yourself
D Correct answer
Explanation

“L'Homme Qui Marche I” (Walking Man I), a bronze sculpture of a man by 20th century Swiss artist Alberto Giacometti (1901-1966) has sold for USD 104.3 million - making it the most expensive work of art ever sold at auction, Sotheby's auction house said in February 2010. The sale price exceeded the USD 104.17 million paid at a 2004 New York auction for Pablo Picasso's 1905 “Boy With a Pipe (The Young Apprentice).”