The Legacy of Édouard Manet

Olympia is considered Manet's most famous and controversial work, depicting a nude woman reclining on a bed, accompanied by a black maid.

Édouard Manet was born on January 23, 1832, in Paris, France.

Édouard Manet is considered one of the founders and leading figures of the Impressionist movement, which emerged in the late 19th century.

Gustave Courbet was a prominent Realist painter, not associated with the Impressionist movement.

The Execution of Maximilian depicts the execution of Emperor Maximilian I of Mexico by firing squad in 1867.

Le Déjeuner sur l'herbe was rejected by the Paris Salon due to its unconventional subject matter and composition, which included a nude woman picnicking with two clothed men.

Émile Zola was a prominent art critic and novelist who wrote extensively about Édouard Manet's work, praising his innovative style and challenging subject matter.

Vincent van Gogh, Paul Cézanne, Henri Matisse, and Pablo Picasso were among the many artists who were influenced by Édouard Manet's work and his groundbreaking approach to painting.

The Musée d'Orsay in Paris held a major retrospective exhibition of Édouard Manet's work in 1983, showcasing his significant contributions to the art world.

Édouard Manet often used impasto, a technique involving the application of thick layers of paint to create texture and depth in his works.

Édouard Manet married Suzanne Leenhoff in 1863. She was the daughter of Dutch artist Ferdinand Leenhoff and had been Manet's mistress for several years prior to their marriage.

The Toreador is a painting by Édouard Manet that depicts a bullfighter in the ring during a bullfight.

Post-Impressionism emerged as a reaction against the Impressionist movement, with artists like Vincent van Gogh, Paul Cézanne, and Henri Matisse exploring new approaches to color, form, and composition.

Paul Gauguin was a Post-Impressionist artist who is not typically associated with the Impressionist movement.

Louis Leroy was an art critic who coined the term 'Impressionism' in a negative review of the first Impressionist exhibition in 1874.