Addiction in Indian Cinema: A Comparative Study

Udta Punjab delves into the issue of drug addiction in Punjab, specifically focusing on the role of gambling in fueling the problem.

Dev.D explores the protagonist's obsessive and self-destructive love for Paro, which ultimately leads to his downfall.

Talaash revolves around a police officer's investigation into a series of murders, while also dealing with his own addiction to drugs.

Black portrays the protagonist's teacher, Debraj Sahai, as a workaholic who is consumed by his dedication to his profession.

Pink delves into the issue of social media addiction and its impact on relationships and personal lives.

A Wednesday explores the protagonist's obsession with power and control, which leads him to take extreme measures to achieve his goals.

Jab We Met portrays the protagonist, Geet, as a compulsive shopper who struggles to control her spending habits.

Haider explores the protagonist's obsession with seeking revenge for the death of his father, which consumes him and leads to his downfall.

3 Idiots touches upon the issue of addiction to technology and its impact on relationships and personal growth.

Shahid portrays the protagonist's unwavering pursuit of justice for the marginalized and oppressed, which becomes an all-consuming obsession for him.

Gangs of Wasseypur delves into the issue of addiction to power and control within the context of gang wars and political corruption.

Masaan explores the protagonist's intense and obsessive love for Shaalu, which leads him to make reckless and self-destructive choices.

Oh My God! explores the issue of addiction to religion and blind faith, questioning the role of organized religion in society.

Tamasha portrays the protagonist's addiction to escapism and his inability to face the realities of life, leading him to create an alternate persona.

Rockstar delves into the issue of addiction to fame and the protagonist's struggle to maintain his identity amidst the pressures of success.