Bharatanatyam: Fundamentals and Traditions

Bharatanatyam was traditionally known as Sadir, which means 'dance of the gods'.

Bharata Muni, the author of the ancient Sanskrit text Natya Shastra, is considered the father of Bharatanatyam.

The three main components of Bharatanatyam are Nritta (pure dance), Nritya (expressive dance), and Natya (drama).

Tillana is not a traditional Bharatanatyam repertoire. It is a dance form that originated in the Carnatic music tradition.

The Alarippu is a short introductory piece in Bharatanatyam that serves to warm up the body and establish the tala (rhythmic cycle).

Tribhangi is not a traditional Bharatanatyam mudra. It is a pose that is commonly used in Odissi dance.

The Mangalam is the concluding item in a Bharatanatyam performance. It is a short piece that offers prayers to the gods and seeks their blessings.

Lehenga is not a traditional Bharatanatyam costume. It is a type of skirt that is commonly worn in North Indian dance forms such as Kathak.

Temple Jewelry is the traditional Bharatanatyam jewelry. It is made of gold and features intricate designs inspired by temple architecture.

Tabla is not a traditional Bharatanatyam musical instrument. It is a percussion instrument that is commonly used in North Indian music.

Nattuvanar is the traditional Bharatanatyam dance teacher. They are responsible for teaching the dance technique, choreography, and music to the students.

Kathak Kendra is not a traditional Bharatanatyam dance school. It is a dance school that specializes in Kathak, a North Indian dance form.

The Margazhi Festival is an annual Bharatanatyam festival held in Chennai during the month of December.

Birju Maharaj is not a contemporary Bharatanatyam dancer. He is a Kathak dancer and choreographer.

Kalakshetra is the Bharatanatyam dance company founded by Rukmini Devi Arundale in 1936.