Drama - class-X

Introduction to dramatic concepts including farce, monologue, soliloquy, and stage directions, with examples from Shakespearean plays and other dramatic works

42 Questions Published

Questions

Question 1 Multiple Choice (Single Answer)

State whether true or false:
A farce is a literary genre that makes use of highly exaggerated and funny situations aimed at entertaining the audience.

  1. True
  2. False
Question 2 Multiple Choice (Single Answer)

Fill in the blank with the most suitable option:
A _______ is a lighthearted comedy that centers around a ridiculous plot that usually involves exaggerated and improbable events. 

  1. farce
  2. tragedy
  3. monologue
  4. soliloquy
Question 3 Multiple Choice (Single Answer)

State whether true or false.
Farces do not contain improbable coincidences and generally do not mock weaknesses of humans and human society.

  1. True
  2. False
Question 4 Multiple Choice (Single Answer)

State whether true or false.
We usually find farces in theater and films, and never in literary works.

  1. True
  2. False
Question 5 Multiple Choice (Single Answer)

State whether true or false:
Someone who delivers a monologue is called monologuist or monologist.

  1. True
  2. False
Question 6 Multiple Choice (Single Answer)

State whether true or false:
When a writer allows a character to speak in a monologue, we don't get to see inside a character's head and then we don't understand what motivates that character.

  1. True
  2. False
Question 7 Multiple Choice (Single Answer)

Fill in the blank with the most appropriate option:
A dramatic monologue allows us to see the _______ of characters.

  1. thoughts
  2. feelings
  3. motivation
  4. all of the above
Question 8 Multiple Choice (Single Answer)

State whether true or false:
A soliloquy and a monologue are both spoken by one person which means that there is no difference between the two. 

  1. True
  2. False
Question 9 Multiple Choice (Single Answer)

Fill in the blank with the most appropriate option:
A ____________ is a speech given by a single person to an audience.

  1. comedy
  2. tragedy
  3. farce
  4. monologue
Question 10 Multiple Choice (Single Answer)

How is a monologue different from a formal speech or a soliloquy?

  1. A monologue is given when a character is speaking to himself or herself, the other two are directed at another character
  2. A monologue is given when a character is speaking to another character, the other two are not
  3. A monologue and soliloquy are the same things but a formal speech is given to an audience
  4. All three are just different names for the same thing
Question 11 Multiple Choice (Single Answer)

Which of the following is NOT a characteristic of a monologue?

  1. Speaker is present on stage
  2. Speaker is talking to the audience
  3. Speaker is giving a speech
  4. Speaker is talking to himself or herself
Question 12 Multiple Choice (Single Answer)

State whether true or false:
If a character is addressing other characters, it is typically considered a monologue and if a character is talking to himself/herself, it is a soliloquy.

  1. True
  2. False
Question 13 Multiple Choice (Single Answer)

What is the purpose of a monologue?

  1. to confuse the audience
  2. to explain the ending of a movie or drama
  3. to show a character's thoughts and motivations
  4. to make the script longer
Question 14 Multiple Choice (Single Answer)

Choose the best possible option to fill in the blank:

Farce is a kind of __________

  1. comedy
  2. tragedy
  3. metaphysical poetry
  4. epic
Question 15 Multiple Choice (Single Answer)

Prentice: My wife is talking of my secretary sir. She's been missing for some time.

Geraldine: I'm Geraldine Barclay. Looking for part-time secretarial work. I've been certified insane.

Rance (to Mrs Prentice): Ignore these random reflections. They're an essential factor in the patient's condition. (to Dr Prentice) Does she have the same name as your secretary?

Prentice: She's taken my secretary's name as her "nom-de-folie". Although morally reprehensible, there's little we can do legally, I'm afraid.

Rance (drying his hands): It seems a trifle capricious but the insane are famous for their wild ways.

Mrs Prentice: I shall contact the employment agency. Miss Barclay can't have vanished into thin air.

She goes into the hall. Dr Prentice pours himself a drink.

Prentice: My wife is unfamiliar with the habits of young women, sir. I've known many who could vanish into thin air. And some who took a delight in doing so.

Dr Rance puts on a white coat.

Rance: In my experience, young women vanish only at midnight and after a heavy meal.

The passage above belongs to a

  1. political enactment
  2. tragedy
  3. historical play
  4. farce
Question 16 Multiple Choice (Single Answer)

Read the passage and accordingly, fill in the blank:

Aegeon: Not know my voice! O time's extremity,
Not know my voice! O time's extremity,

Hast thou so crack'd and splitted my poor tongue
In seven short years, that here my only son
Knows not my feeble key of untuned cares?
Though now this grained face of mine be hid
In sap-consuming winter's drizzled snow,
And all the conduits of my blood froze up,
Yet hath my night of life some memory,
My wasting lamps some fading glimmer left,
My dull deaf ears a little use to hear:
All these old witnesses--I cannot err--
Tell me thou art my son Antipholus.

Antipholus of Ephesus: I never saw my father in my life.

Aegeon: But seven years since, in Syracusa, boy,
Thou know'st we parted: but perhaps, my son,
Thou shamest to acknowledge me in misery.

Antipholus of Ephesus: The duke and all that know me in the city
Can witness with me that it is not so
I ne'er saw Syracusa in my life.

Duke Solinus: I tell thee, Syracusian, twenty years
Have I been patron to Antipholus,
During which time he ne'er saw Syracusa:
I see thy age and dangers make thee dote.

Re-enter AEMILIA, with ANTIPHOLUS of Syracuse and DROMIO of Syracuse

Aemilia: Most mighty duke, behold a man much wrong'd

All gather to see them

Adriana: I see two husbands, or mine eyes deceive me.

Duke Solinus: One of these men is Genius to the other;
And so of these. Which is the natural man,
And which the spirit? who deciphers them?

Dromio of Syracuse: I, sir, am Dromio; command him away.

Dromio of Ephesus: I, sir, am Dromio; pray, let me stay.

The passage above is an extract from a ___________.

  1. tragedy
  2. farce
  3. political play
  4. historical enactment
Question 17 Multiple Choice (Single Answer)

State whether true or false.
Although a farce may appear only to be funny, they often contain deeper implications on account of the use of satirical elements. 

  1. True
  2. False
Question 18 Multiple Choice (Single Answer)

Enter BASSANIO, LORENZO, and GRATIANO

SALANIO

Here comes Bassanio, your most noble kinsman,
Gratiano and Lorenzo. Fare ye well:
We leave you now with better company.

SALARINO

I would have stay'd till I had made you merry,
If worthier friends had not prevented me.

What does the line 'Enter Bassanio, Lorenzo and Gratiano' indicate?

 

  1. stage direction
  2. aside
  3. soliloquy
  4. climax
Question 19 Multiple Choice (Single Answer)

SCENE II: Belmont. A room in PORTIA'S house.

Enter PORTIA and NERISSA

PORTIA

By my troth, Nerissa, my little body is aweary of
this great world.

NERISSA

You would be, sweet madam, if your miseries were in
the same abundance as your good fortunes are: and
yet, for aught I see, they are as sick that surfeit
with too much as they that starve with nothing. It
is no mean happiness therefore, to be seated in the
mean: superfluity comes sooner by white hairs, but
competency lives longer.

What does the line 'Enter Portia and Nerissa' indicate?

 

  1. aside
  2. stage direction
  3. soliloquy
  4. monologue
Question 20 Multiple Choice (Single Answer)


Portia

I remember him well, and I remember him worthy of

thy praise.

Enter a Serving-man

How now! what news?

Servant

The four strangers seek for you, madam, to take
their leave: and there is a forerunner come from a
fifth, the Prince of Morocco, who brings word the
prince his master will be here to-night.

What does the line 'Enter a Serving-man' indicate?

 

  1. dialogue
  2. monologue
  3. aside
  4. stage direction
Question 21 Multiple Choice (Single Answer)

ANTONIO

Thou know'st that all my fortunes are at sea;
Neither have I money nor commodity
To raise a present sum: therefore go forth;
Try what my credit can in Venice do:
That shall be rack'd, even to the uttermost,
To furnish thee to Belmont, to fair Portia.
Go, presently inquire, and so will I,
Where money is, and I no question make
To have it of my trust or for my sake.

 

Exeunt

What does 'Exeunt' indicate?

  1. Monologue
  2. Soliloquy
  3. Aside
  4. Stage Direction
Question 22 Multiple Choice (Single Answer)

SCENE I. Venice. A street.

Enter ANTONIO, SALARINO, and SALANIO

ANTONIO

In sooth, I know not why I am so sad:
It wearies me; you say it wearies you;
But how I caught it, found it, or came by it,
What stuff 'tis made of, whereof it is born,
I am to learn;
And such a want-wit sadness makes of me,
That I have much ado to know myself.

What does the line 'Enter Antonio, Salarino and Salanio' indicate?

 

  1. Soliloquy
  2. Aside
  3. Stage Directions
  4. Epiphany
Question 23 Multiple Choice (Single Answer)

SCENE V. The same. Before SHYLOCK'S house.

Enter SHYLOCK and LAUNCELOT

SHYLOCK

Well, thou shalt see, thy eyes shall be thy judge,
The difference of old Shylock and Bassanio:--
What, Jessica!--thou shalt not gormandise,
As thou hast done with me:--What, Jessica!--
And sleep and snore, and rend apparel out;--
Why, Jessica, I say!

What does the line 'Enter Shylock and Launcelot' indicate?

 

  1. Aside
  2. Monologue
  3. Soliloquy
  4. Stage Direction
Question 24 Multiple Choice (Single Answer)

ANTONIO

Hie thee, gentle Jew.

Exit Shylock

The Hebrew will turn Christian: he grows kind.

BASSANIO

I like not fair terms and a villain's mind.

What does the line 'Exit Shylock' indicate?

 

  1. epiphany
  2. post-script
  3. stage direction
  4. monologue
Question 25 Multiple Choice (Single Answer)

Enter Old GOBBO, with a basket

GOBBO

Master young man, you, I pray you, which is the way
to master Jew's?

What does the line 'Enter Old Gobbo, with a basket' indicate?

 

  1. Aside
  2. Prologue
  3. Stage direction
  4. Monologue
Question 26 Multiple Choice (Single Answer)

SCENE I. A desert place.

Thunder and lightning. 
Enter three Witches

First Witch

When shall we three meet again
In thunder, lightning, or in rain?

Second Witch

When the hurlyburly's done,
When the battle's lost and won.

Third Witch

That will be ere the set of sun.

What does the line 'Enter Three Witches' indicate?

 

  1. Stage Direction
  2. Aside
  3. Monologue
  4. Soliloquy
Question 27 Multiple Choice (Single Answer)

Enter BASSANIO, with LEONARDO and other followers

BASSANIO

You may do so; but let it be so hasted that supper
be ready at the farthest by five of the clock. See
these letters delivered; put the liveries to making,
and desire Gratiano to come anon to my lodging.

What does the line 'Enter Bassanio and Leonardo with the followers' indicate?

 

  1. Stage Direction
  2. Soliloquy
  3. Monologue
  4. Epiphany
Question 28 Multiple Choice (Single Answer)

DUNCAN

So well thy words become thee as thy wounds;
They smack of honour both. Go get him surgeons.

Exit Sergeant, attended

Who comes here?

Enter ROSS

What does the line 'Enter Ross' indicate?

 

  1. Soliloquy
  2. Epiphany
  3. Plot
  4. Stage Direction
Question 29 Multiple Choice (Single Answer)

SCENE II. Venice. A street.

Enter LAUNCELOT

LAUNCELOT

Certainly my conscience will serve me to run from
this Jew my master. The fiend is at mine elbow and
tempts me saying to me 'Gobbo, Launcelot Gobbo, good
Launcelot,' or 'good Gobbo,' or good Launcelot
Gobbo, use your legs, take the start, run away. My
conscience says 'No; take heed,' honest Launcelot;
take heed, honest Gobbo, or, as aforesaid, 'honest
Launcelot Gobbo; do not run; scorn running with thy
heels.' Well, the most courageous fiend bids me
pack: 'Via!' says the fiend; 'away!' says the
fiend; 'for the heavens, rouse up a brave mind,'
says the fiend, 'and run.' Well, my conscience,
hanging about the neck of my heart, says very wisely
to me 'My honest friend Launcelot, being an honest
man's son,' or rather an honest woman's son; for,
indeed, my father did something smack, something
grow to, he had a kind of taste; well, my conscience
says 'Launcelot, budge not.' 'Budge,' says the
fiend. 'Budge not,' says my conscience.
'Conscience,' say I, 'you counsel well;' ' Fiend,'
say I, 'you counsel well:' to be ruled by my
conscience, I should stay with the Jew my master,
who, God bless the mark, is a kind of devil; and, to
run away from the Jew, I should be ruled by the
fiend, who, saving your reverence, is the devil
himself. Certainly the Jew is the very devil
incarnal; and, in my conscience, my conscience is
but a kind of hard conscience, to offer to counsel
me to stay with the Jew. The fiend gives the more
friendly counsel: I will run, fiend; my heels are
at your command; I will run.

What does the line 'Enter Launcelot' indicate?

 

  1. Stage Direction
  2. Aside
  3. Monologue
  4. Soliloquy
Question 30 Multiple Choice (Single Answer)

Enter ROSS and ANGUS

ROSS

The king hath happily received, Macbeth,
The news of thy success; and when he reads
Thy personal venture in the rebels' fight,
His wonders and his praises do contend
Which should be thine or his: silenced with that,
In viewing o'er the rest o' the selfsame day,
He finds thee in the stout Norweyan ranks,
Nothing afeard of what thyself didst make,
Strange images of death. As thick as hail
Came post with post; and every one did bear
Thy praises in his kingdom's great defence,
And pour'd them down before him.

ANGUS

We are sent
To give thee from our royal master thanks;
Only to herald thee into his sight,
Not pay thee.

What does the line 'Enter Ross and Angus' indicate?

 

  1. Stage direction
  2. aside
  3. soliloquy
  4. monologue
Question 31 Multiple Choice (Single Answer)

SALANIO

And so will I.

LORENZO

Meet me and Gratiano
At Gratiano's lodging some hour hence.

SALARINO

'Tis good we do so.

Exeunt SALARINO and SALANIO

What does the line 'Exeunt Salarino and Salanio' indicate?

 

  1. Aside
  2. Soliloquy
  3. Stage Direction
  4. Monologue
Question 32 Multiple Choice (Single Answer)

ALL

The weird sisters, hand in hand,
Posters of the sea and land,
Thus do go about, about:
Thrice to thine and thrice to mine
And thrice again, to make up nine.
Peace! the charm's wound up.

Enter MACBETH and BANQUO

MACBETH

So foul and fair a day I have not seen.

BANQUO

How far is't call'd to Forres? What are these
So wither'd and so wild in their attire,
That look not like the inhabitants o' the earth,
And yet are on't? Live you? or are you aught
That man may question? You seem to understand me,
By each at once her chappy finger laying
Upon her skinny lips: you should be women,
And yet your beards forbid me to interpret
That you are so.

What does the line 'Enter Macbeth and Banquo' indicate?

 

  1. Aside
  2. Soliloquy
  3. Stage Direction
  4. Monologue
Question 33 Multiple Choice (Single Answer)

SCENE VII. Macbeth's castle.

Hautboys and torches. Enter a Sewer, and divers Servants with dishes and service, and pass over the stage. Then enter MACBETH

MACBETH

If it were done when 'tis done, then 'twere well
It were done quickly: if the assassination
Could trammel up the consequence, and catch
With his surcease success; that but this blow
Might be the be-all and the end-all here,
But here, upon this bank and shoal of time,
We'ld jump the life to come. But in these cases
We still have judgment here; that we but teach
Bloody instructions, which, being taught, return
To plague the inventor: this even-handed justice
Commends the ingredients of our poison'd chalice
To our own lips. 

What does the line 'Enter a Sewer, and divers Servants with dishes and service, and pass over the stage. Then enter MACBETH' indicate?

 

  1. Soliloquy
  2. Aside
  3. Monologue
  4. Stage Direction
Question 34 Multiple Choice (Single Answer)

SCENE V. Inverness. Macbeth's castle.

Enter LADY MACBETH, reading a letter

LADY MACBETH

'They met me in the day of success: and I have
learned by the perfectest report, they have more in
them than mortal knowledge. When I burned in desire
to question them further, they made themselves air,
into which they vanished. Whiles I stood rapt in
the wonder of it, came missives from the king, who
all-hailed me 'Thane of Cawdor;' by which title,
before, these weird sisters saluted me, and referred
me to the coming on of time, with 'Hail, king that
shalt be!' This have I thought good to deliver
thee, my dearest partner of greatness, that thou
mightst not lose the dues of rejoicing, by being
ignorant of what greatness is promised thee. Lay it
to thy heart, and farewell.'
Glamis thou art, and Cawdor; and shalt be
What thou art promised: yet do I fear thy nature;
It is too full o' the milk of human kindness
To catch the nearest way: thou wouldst be great;
Art not without ambition, but without
The illness should attend it: what thou wouldst highly,
That wouldst thou holily; wouldst not play false,
And yet wouldst wrongly win: thou'ldst have, great Glamis,
That which cries 'Thus thou must do, if thou have it;
And that which rather thou dost fear to do
Than wishest should be undone.' Hie thee hither,
That I may pour my spirits in thine ear;
And chastise with the valour of my tongue
All that impedes thee from the golden round,
Which fate and metaphysical aid doth seem
To have thee crown'd withal.

What does the line 'Enter Lady Macbeth, reading a letter' mean?

 

  1. Epiphany
  2. Prologue
  3. Stage Directiion
  4. Epilogue
Question 35 Multiple Choice (Single Answer)

Fill in the blank with the best possible option:

In a farce, we often find_________________________ .

  1. use of blank verse
  2. use of deliberate absurdity or nonsense
  3. the fall of a good man
  4. a brutal death
Question 36 Multiple Choice (Single Answer)

SCENE I. Court of Macbeth's castle.

Enter BANQUO, and FLEANCE bearing a torch before him

BANQUO

How goes the night, boy?

FLEANCE

The moon is down; I have not heard the clock.

What does the line 'Enter Banquo and Fleance bearing a torch before him' indicate?

 

  1. Prologue
  2. Epilogue
  3. Stage Direction
  4. Aside
Question 37 Multiple Choice (Single Answer)

State whether the statement is True of False:

Although a farce may appear only to be funny, they often contain deeper implications on account of the use of satirical elements.

  1. True
  2. False
Question 38 Multiple Choice (Single Answer)

State whether the statement is True or False:

The basic purpose of a farcical comedy is to evoke laughter.

  1. True
  2. False
Question 39 Multiple Choice (Single Answer)

Fill in the blank with the best suitable option:

Farces have been written for _____________ .

  1. Intellectual gatherings
  2. Poetry Sessions
  3. Psychoanalytical readings
  4. Stage and Films
Question 40 Multiple Choice (Single Answer)

BANQUO

Thanks, sir: the like to you!

Exeunt BANQUO and FLEANCE

MACBETH

Go bid thy mistress, when my drink is ready,
She strike upon the bell. Get thee to bed.

What does the line 'Exeunt Banquo and Fleance' indicate?

 

  1. Aside
  2. Stage Direction
  3. Epilogue
  4. Soliloquy
Question 41 Multiple Choice (Single Answer)

SCENE IV. Forres. The palace.

Flourish. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, and Attendants

DUNCAN

Is execution done on Cawdor? Are not
Those in commission yet return'd?

MALCOLM

My liege,
They are not yet come back. But I have spoke
With one that saw him die: who did report
That very frankly he confess'd his treasons,
Implored your highness' pardon and set forth
A deep repentance: nothing in his life
Became him like the leaving it; he died
As one that had been studied in his death
To throw away the dearest thing he owed,
As 'twere a careless trifle.

What does the line 'Enter Malcom, Duncan, Donalbin, Lennox and Attendants' indicate?

 

  1. stage direction
  2. aside
  3. soliloquy
  4. monologue
Question 42 Multiple Choice (Single Answer)

Read the passage given below and answer the question that follows:

Miss Prism.  Lady Bracknell, I admit with shame that I do not know.  I only wish I did.  The plain facts of the case are these.  On the morning of the day you mention, a day that is forever branded on my memory, I prepared, as usual, to take the baby out in its perambulator.  I had also with me a somewhat old, but capacious handbag in which I had intended to place the manuscript of a work of fiction that I had written during my few unoccupied hours.  In a moment of mental abstraction, for which I never can forgive myself, I deposited the manuscript in the bassinette and placed the baby in the handbag.

Jack.  [Who has been listening attentively.] 

But where did you deposit the handbag?

Miss Prism.  Do not ask me, Mr. Worthing.

Jack.  Miss Prism, this is a matter of no small importance to me.  I insist on knowing where you deposited the handbag that contained that infant.

Miss Prism.  I left it in the cloak-room of one of the larger railway stations in London.

Jack.  What railway station?

Miss Prism.  [Quite crushed.] 


Victoria.  The Brighton line.  [Sinks into a hair.]

Jack.  I must retire to my room for a moment.  Gwendolen, wait here for me.

Gwendolen.  If you are not too long, I will wait here for you all my life.  [Exit Jack in great excitement.]

....

Gwendolen.  This suspense is terrible.  I hope it will last.  [Enter Jack with a handbag of black leather in his hand.]

Jack.  [Rushing over to Miss Prism.] 
Is this the hand-bag, Miss Prism?  Examine it carefully before you speak.  The happiness of more than one life depends on your answer.

Miss Prism.  [Calmly.]  It seems to be mine.  Yes, here is the injury it received through the upsetting of a Gower Street omnibus in younger and happier

days.  Here is the stain on the lining caused by the explosion of a temperance beverage, an incident that occurred at Leamington.  And here, on the lock, are my initials.  I had forgotten that in an extravagant mood I had had them placed there.  The bag is undoubtedly mine.  I am delighted to have it so unexpectedly restored to me.  It has been a great inconvenience being without it all these years.

Jack.  [In a pathetic voice.]  Miss Prism, more is restored to you than this handbag.  I was the baby you placed in it.

The passage above is taken from a __________.
  1. historical enactment
  2. tragedy
  3. farce
  4. political play