Literary historians today have rejected conventional analysis of the development of English Renaissance drama. They no longer accept the idea that the sudden achievement of Elizabethan playwrights was a historical anomaly, a sort of magical rediscovery of ancient Greek dramatic form applied to contemporary English subject matter. Instead, most students of the theatre now view Elizabethan drama as being organically related to traditional local drama, particularly medieval morality plays.
Which of the following is not consistent with the passage above?
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