Critics have recently called into question the authenticity of a piece of pottery, long believed to belong to ancient city of Mohenjo-Daro, which they now believe may have come from Mesopotamian civilization to the city. In order to determine the piece's authenticity, its visual patterns were compared to those in other pieces known to belong to Mesopotamia. Many patterns were examined, including composition and the prominence and width of designs. The patterns displayed by the piece in question were very similar to those in the other genuine items, thereby establishing the authenticity of the given piece.
Which of the following, if true, gives the strongest support to the conclusion above?
Reveal answer
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