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It is not too much of an exaggeration to say that from being artless the poet becomes the conscious artist. Often enough the poets when faced with more difficult material tend to become obscure, and again in handling some of the difficult metres which they attempted the same result is achieved. Though humour is often enough lacking, there are touches here and there, sometimes of a grim kind. Pathos, too, of a solemn and elevated kind is to be found as well as that of a more simple genre. In the best, the style is lucid, firm, controlled, and superb; in the worst, it has every possible fault.
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